how to draw like egon schiele
Schiele died on 31 October 1918 after contracting Spanish flu, just 3 days after his pregnant wife Edith died of the same fate. The last drawing of Edith, titled Edith Schiele on Her Deathbed, captures her exhaustion and suffering.
I love death and I love life
Mayko felt that the paper Schiele used was important to achieve the effects he did. Apparently he often used Japanese paper. She also thought he would have used dry brush techniques to get those rough marks creating these textures.
Her right shoulder, right knee and the left hand make a big triangle. Adding 2 points – the top of the head & the right elbow – you get a rectangle, which forms a kind of kite shape with the triangle. Marking these shapes very lightly gave me a kind of scaffolding before I started the proper drawing.
Schiele was born in 1890 in Tulln, Austria. Even as a child he showed great interest in drawing and, consequently, enrolled in the Wiener Kunstgewerbeschule, a progressive Viennese art school, in 1906. However, because of his great proficiency and talent, the professors at the kunstgewerbeschule soon encouraged him to attend the more traditional Akademie der Bildenden Künste, where he studied with the painter Christian Griepenkerl. Frustrated with the extremely conservative methods of the school, Schiele and a number of young, avant-garde artists, including Anton Peschka, left the school in 1909 to exhibit together as the Neukunstgruppe.
In the summer of 1911, Schiele moved to Neulengbach on the outskirts of Vienna with his girlfriend, Wally Neuzil. However, the townspeople there were scandalized by Schiele’s art and unconventional lifestyle. As a result, they arrested him for supposedly seducing a young girl and imprisoned him for 24 days on the charge that he displayed his “immoral” drawings in the presence of children.
We all wish we could draw like Egon Schiele. He could capture anybody. He saw right through a sitter and pulled out the inner character. Sad story though. They should do a movie. David Bowie was going to play him at one time but he waited too long as Schiele died at 28.
This show has a 220 volt cattle prod electric charge running through it. It’s not your typical art show trying (yawn) another attempt at a shock of the new. These powerful drawings bristle with energy. Pencil lines as hard won as railroad tracks tease and hammer out skulls, eye sockets, jaw lines, skeletal hands. They sculpt wasp- waisted models with economy. Not a line out of place here. Exaggeration and distortion madly dance over the structure of anatomy and laws of physics. Nor are they figure drawing exercises but x-rays that bare the soul of the sitter. Secrets rarely escaped this artists burning eye.
“Present day standards are so very different than early, 20 th century Austria,” she insists. However, some galleries that show his work place with it an addendum of sorts, outlining his supposed misconduct. Kellir refuses to qualify Schiele’s work in such a manner, stating instead that he is a truly great artist who died too young, and should not be judged by modern day norms.
For modern art fans, the name Egon Schiele is one of the most revered names. For one fan an unbelievable occurrence has transformed his life. Finding something of true and significant importance to the world at large at a yard sale or charity shop rarely happens. Buyers scour shelves and piles of “secondhand everything,” hoping to come across a rare book, or a signed movie poster from the 1930s, or a drawing that is by one of the old masters or modern art heroes.