edward hopper artworks
Later in his career, many of his works were displayed in various exhibits, namely at the Whitney Museum, which was located in New York City. Later in his career, during the 1940s, was a period in which he found the most commercial success. But, soon after, and even during this time period, he began losing critical favors. This was namely due to the new forms of art, and the fact that abstract pieces were beginning to enter the art world, which took over the work he did, as well as the work of many famous artists prior to him.
Great art is the outward expression of an inner life of the artist, and this innerlife will result in his personal vision of the world.” – Edward Hopper
For New York Movie (1939), Hopper demonstrates his thorough preparation with more than 53 sketches of the theater interior and the figure of the pensive usherette. 
Plato’s philosopher, in search of the real and the true, must turn away from this transitory realm and contemplate the eternal Forms and Ideas. The pensive man in Hopper’s painting is positioned between the lure of the earthly domain, figured by the woman, and the call of the higher spiritual domain, represented by the ethereal lightfall. The pain of thinking about this choice and its consequences, after reading Plato all night, is evident. He is paralysed by the fervent inner labour of the melancholic. 
Walker Art Center, Minneapolis, MN
Museum of Modern Art
No other artist managed to capture the solitude within the modern city like Edward Hopper. The ‘artist of empty spaces’ offers a remindful look at life of Americans during Great Depression. His suggestive imagery shares the mood of individual’s isolation with books of Tennessee Williams, Theodore Dreiser, Robert Frost, Jerome Salinger, as well as with canvasses of Giorgio De Chirico and Paul Delvaux. Hopper depicted the spirit of the time very subtly, showing it in the poses of characters, in the vast empty spaces around them, and also in his unique color palette.
In his early self-portraits, Hopper tended to represent himself as skinny, ungraceful, and homely. Though a tall and quiet teenager, his prankish sense of humor found outlet in his art, sometimes in depictions of immigrants or of women dominating men in comic situations. Later in life, he mostly depicted women as the figures in his paintings. In high school, he dreamed of being a naval architect, but after graduation he declared his intention to follow an art career. Hopper’s parents insisted that he study commercial art to have a reliable means of income. In developing his self-image and individualistic philosophy of life, Hopper was influenced by the writings of Ralph Waldo Emerson. He later said, “I admire him greatly. I read him over and over again.”
Hopper’s Painting Methods
Significant paintings by Hopper hang in the Whitney Museum of American Art, the Museum of Modern Art in New York, The Des Moines Art Center, the Art Institute of Chicago, and in public and private collections around the world.
True, Hopper’s late-career paintings capture a moodiness and a melancholy that is distinctly of our moment. They often feature affectless individuals looking out windows or staring into the distance, gazing at nothing in particular. They are rendered in drab, un-showy colors, and many art historians have praised them for their atmosphere. (Even if some during the mid-20th century, when Hopper was in his prime, did not: Clement Greenberg, who famously sang the praises of the Abstract Expressionists, once wrote, “Hopper simply happens to be a bad painter.”)
Senior Editor, ARTnews
Inwood Hill Park And The Henry Hudson Bridge Print
Old House, New Moon, 1943 Painting